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Summary
The Iudex’s daughter, a runaway, a pair of mutated twins, a puppet … What makes a performance truly a performance? Every Fontainian will fill you in on the latest gossip, the latest trial. Aren’t those real people? Indeed, their stories are real. But what defines such a story as a performance, and who has the authority to present it?As far as we are all concerned, our stories are real. An act only becomes reality when the actor fully believes their story to be a reality. So let’s turn things around. How does a crowd as ignorant and immoral react to an act that is no act at all?Confronted with what the people beg for, those presenting their reality are shamed and resented. Except for those who find fascination in the unknown, and perhaps even love. DISCONTINUED
Contents 2 chapters
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