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Summary
为了扰乱王耀与弗朗西斯的来往以确保自己今后的地位不可动摇，伊万在两个人观赏歌剧时支开了弗朗潜入进去，里面上演的正是一出恰好可以讽刺他的《茶花女》，而故地重游的王耀则回忆起伊万苏联解体之后在这间歌剧院里曾经向西方国家摇尾乞怜的模样。SZ向，有泥塑，甩式无节操有背景提及的混乱关系
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