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Summary
Fyodor Dostoyevsky stood on the frozen tundra, his coat flaring dramatically in the wind like a literary villain straight out of a 19th-century novel that had been dropped into a nuclear apocalypse simulator. He squinted at the horizon, where a giant metal cylinder lay like a sleeping, slightly smug goddess: Tsar Bomba.
“Oh, my dear,” he whispered, flinging one hand to the sky as if invoking the muses of doom. “You are the crescendo of all human folly! The apex of destruction! The… hottest thing in the room!”
((THIS IS A JOKEEEEE))
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